Tinker, Tailor, Soldier, Mage…

Rich Man, Poor Man, Spellslinger, Thief?

So, remember that wand shoulder holster I mentioned a while back? Thanks to a generous birthday gift, I have one coming to me. And outside of wearing it at an upcoming wedding (I have the bride and grooms approval) and wearing it around the house, I don’t have another use for it, and I find myself looking for one. Regular readers will know my brain can be dangerous at moments like this.

The closest thing to an idea I have is ‘Cold War espionage, but with magic’. I don’t know quite why the idea has gripped me so much, but here we are. I’ve read the first Laundry Files book and enjoyed it, find the Bond films superior to the novels (Whenever I read any of the Fleming novels I wonder how they became so successful, but I’m not in 1950’s England), and utterly adore the Rivers of London series. The BPRD from Hellboy seems a good source of inspiration and I’ve heard good things about the series The Magicians, but haven’t seen it yet. And before anyone says anything, yes I have thought about adding Cthulhu, but I’ll leave the Mythos to it’s own corner for the time being.



This idea, or skeleton of it, doesn’t really fit with any of them. That’s also likely why it’ll end up in my ‘Ideas I love, but can’t get to work’ folder. Still, let’s continue on the creative exercise shall we?

So, let’s brainstorm out the basics and ask a few questions.
We’re saying an alternate universe 60’s. The Atomic Age is replaced by the Magical Age, with the superpowers rushing to harness arcane power to combat and/or guard against their rivals. Not a bad start.
Factions and/or nationalities. If we’re looking at Cold War, then East vs West. So, Russia and it’s satellite states against the Americans and English.
What sort of magic is there? Wand based, point and shoot, something vaguely Latin, or a more time consuming ceremonial sort of dealie? For that matter, where does it come from? Has it always been there, or did someone open a door they shouldn’t have? I like the idea of a recent reawakening, leaving the higher ups scrambling to harness this new weapon.
How much does the general public know? Is there a masquerade, or is copping a Magic Missile in the street an occupational hazard?
What does magic actually do? Offense, defense, can you hook a wizard up to a treadmill and power a city block? Is the magic system freeform, based on Jack Vance, or should I go back through the LARP rules for Mage: the Ascension?

Lastly, what will the PC’s actually do? What’s the point of the whole thing, what story would I be I hoping to tell? It’s an important set of questions and one that a lot of my past campaign ideas have ignored, to their detriment. It’s a mistake I’m trying not to repeat again, and while it seems to be working in the case of Bombshells, I’m under no illusions that I couldn’t make that mistake again.

Above all, what’s the mood of the thing? Bleak and dangerous, with betrayal and danger at every turn? Something like the Bond films, high action and flashy action? Let’s be realistic here – I can try for as much Le Carre as I want, but with my GM’ing style and sensibilities, it’s more likely to be Gandalf, Agent 86. I mean, a few small rewrites and I can see the following scene with two wizards divesting themselves of their magical items. (And as an aside, the suicide wedding ring joke is *chef kiss*)

Outside of that, I’m not great. I mean yes, things are improving. The Iron Maidens have rebooked for Feb next year, Blacktown Medieval Fair is next month and I continue to enjoy rapier. I’ve resubmitted my Babylon 5 freeform to Pheno (Rewatching the show for research will likely produce a flood of emotions) and Cyberpunk 2077 is surprisingly good. I’m not joking – I continue to be surprised at how much I’m enjoying it, and it’s moments of genuine emotional heft. Plus, you know, having Keanu Reeves in your head. I’ve had much the same feelings with the series Transformers: War for Cybertron, which despite not having any of the original voice cast, is still pretty damn good. It’s a grim contrast with the original series, turning what was basically a 23 minute toy commercial into an epic tragedy.

But at the same time, my brain is still far from fine. My temper is closer to the surface than it’s ever been, I’m not sleeping well (I’m on a new medication for that, but it’s still early days) and I’ve fallen of the diet in recent weeks. I find myself missing solitude more, but at the same time I’m wary of too much of it. I’m planning to ask my psych for an boost in my dose or a new set of pills. Therapy on Wednesday. Therapy is good and needed.

Good night all. Be seeing you.

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