DEATH TO FALSE METAL!

Ross the Boss / Night Legion / Carbon Black
The Metro Sydney, Nov 23rd 2019.

Guitarist Ross ‘The Boss’ Friedman first came to my attention through his work with NYC punk group The Dictators, who’s first album ‘Go Girl Crazy’ is both a classic of the genre and among the first punk albums released. But tonight isn’t a night for that – there’s no time for Two Tub Man or sign of Master Race Rock. Tonight we’re here to celebrate his other well known act, the speaker exploding loincloth wearing kings of metal, the one, the only, Manowar!

This was a night for the diehards. A night where battle vests were donned like knights of old donned mail, where mighty warriors came to celebrate the music they love, hair was let down and much air guitar was played. Sure, sections of the crowd looked closer to Cohen than Conan, but that lends further evidence to my theory that there’s going to be some amazing retirement communities in a few years. Anyhow, I feel I should begin by apologizing to the woman in front of me for the volume I was screaming in your left ear at  various points through the show. Sure, you didn’t seem to notice (It was very loud), or were too polite to say anything, but I was raised to be what some folks consider overly polite.

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It was also a night to wear earplugs. I keep meaning to invest in a quality pair. Maybe for Download or Maiden next year. Owing to some fun with trackwork and a post sword nap that was over long, I found myself rushing to get there just as Ross and co was due to hit stage, so there was some relief at their set starting 15 minutes late. My heartfelt apologies to the supports, it ain’t easy, especially when the attendance isn’t great. The Metro seems about half full, and and I’m able to make it to the front with ease. Things fill up a bit more as showtime grows closer, but it’s still only half to 2/3rds full.

While the set starts strong, with Blood of the Kings opening, it’s not till Blood of my Enemies that things really get going. Kill with Power has the crowd roaring along, and Bridge of Death has all the pomp and ceremony/absurdity of the original intact. Battle Hymn fucking DESTROYS and as dodgy as Hail and Kill’s lyrics are (If you don’t know them, then you’ve been warned), it still goes down a treat. And before we know it, it’s all over.

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We got was was promised, the Manowar album Hail to England, played in full (Minus the bass solo Black Arrows, who’s intro I was quite looking forward to) as for the band, they played it beautifully – Ross hasn’t lost any skill with age, the bass player was phenomenal, the vocalist has quite the scream and a fine command of cheesy metal stage patter and their drummer was both fantastic and well, damn… I’m not saying I’d switch sides (He’s not Nathan Fillion circa Firefly), but I certainly noticed him, unlike most drummers.

All in all, it was a grand night. Heavy metal was played. Horns were thrown, heads were banged and much fun seemed to be had by all. Can’t wait for the next one.

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